Products & Offers

What it is

Find the expert you need and build a MASTER It prompt to do the work.

What it is for

anything that needs strong AI prompting to get done well

How to use it

At /agentengine, find the expert you need and build a MASTER It prompt to get the work done well.

What it is

Turn an idea into working software. From /my-ideas, Build the software sends the idea over and you arrive signed in with it already loaded as a draft MVP.

What it is for

turning an idea into a real software MVP without being technical

How to use it

From /my-ideas, Build the software sends your idea to MVP My Ideas and you arrive signed in with it loaded as a draft MVP.

What it is

The browsable library of every published starter course at /courses: courses built on real ideas from the marketplace (each opens with a Welcome lesson, then 6 teaching lessons), each with its lesson count, length, and price on the card. Lesson 1 of every course is free to try. Buy courses one at a time (one-time purchase, yours forever) or open the whole library with the $77/mo All-Access Courses membership. Buyers of a paid course can DOWNLOAD each lesson (the video with its audio, or the MP3); free courses stream online only. Everything you own or start lands on the My Courses dashboard at /my-stuff/courses with your progress saved lesson by lesson and a Continue button back into the player.

What it is for

learning exactly how to start a specific business idea, lesson by lesson, and keeping every course you own in one dashboard

How to use it

At /courses, browse 6-lesson starter courses built on real ideas. Lesson 1 is free; buy a course one at a time or open the whole library with the All-Access membership. Progress saves to My Courses.

What it is

Plan any event piece by piece, even a first one. THE CONFERENCE HANDOFF TO MEETMINDZ (Dee, Aug 20 2026): Unleash Your Ideas is where a conference is BUILT; MeetMindz is where it is RUN and sold. A member does not sell tickets on Unleash Your Ideas and does not run the virtual conference here; a conference is a strategic initiative that goes to MeetMindz. When the plan is ready, Send this conference to MeetMindz signs the whole plan into the married-platform handoff and it lands there as a DRAFT live-event room with its sales page already filled in from the member's own plan: the run of show (day by day on a multi-day event, then the program items), the dates, the venue they picked, the format, the ticket price the plan proposed (the low end of the range, as a starting number they confirm), what a ticket includes, their approved exhibitors as the logo wall, and their own answers to the plan's questions as the FAQ. Nothing is invented: an unanswered question never becomes an FAQ, an exhibitor without a logo never becomes a logo, and no price appears when the plan proposed none. It arrives as a DRAFT with the sales page switched OFF, so nothing goes on sale because a button was pressed on another platform; the member reviews and publishes it on MeetMindz themselves. The push is FREE because it is their own content rearranged, not a model run. VENDORS WORK LIKE VENUES (Dee, Aug 20 2026: vendors get pulled the same way venues do, and the platform lists the real places the member should go instead of describing them). Plan it deeper no longer hands back instructions of the order-badges-through-a-badge-printing-service kind: it names the ACTUAL businesses and platforms, grouped by what the event has to buy (supplies, printed promotion, registration and ticketing), each with what they do, their site, and what it typically runs as a range to verify. Local categories are named for the member's own city; online categories name the real platforms. It never claims a price it did not see, never claims availability, and returns an empty category rather than inventing a business. Every named business has ADD TO MY VENDORS, which drops it into the member's own vendor shortlist carrying its name, site, and category. The shortlist is a record per company: category, name, who they spoke to, email, phone, website, what they quoted, what that number does and does not include, and how long they need. One vendor is picked PER CATEGORY (picking a printer never un-picks the caterer), and each picked vendor's quote lands on the budget line its category matches, so the budget is built on real quotes. Matching resolves both sides to a concept first, so name badges finds a signage and print line and catering finds food and drink; a category with no matching line writes nowhere rather than landing on the wrong one. SAVED NOTES ARE VISIBLE: the venue and vendor note boxes now show what is actually stored on the event underneath the editor, so saved is something the member can see rather than something they have to trust. THE EXHIBITOR PROGRAM (Dee's spec, Aug 20 2026): exhibitors are a revenue, operations, and customer-success function, not vendors with tables, so the Exhibitors tab runs the five components in order. The member first picks the SHOW SCALE (a small show of roughly 5 to 30 exhibitors, or a large show with hundreds across multiple halls) and the whole tab follows it: a small show never sees freight, drayage, dock scheduling, or a general services contractor, and a large show sees all of it. Attendee count alone does not decide the scale; the member does. STEP 1 STRATEGY: why an exhibitor should be in the room, who qualifies and who does not, how many the show can genuinely support (set from room size, flow, safety, and ability to deliver value, never from how many will pay), and which outcomes are being sold (leads, brand visibility, product demos, recruiting, thought leadership, partnerships). STEP 2 THE COMMERCIAL PACKAGE: two or three standard booth packages rather than a custom deal per company (a starter set of tabletop, standard booth, and sponsor-plus-exhibitor is one tap away, with prices deliberately blank because the member prices from their costs, margin, and the value of the room), each with booth size, price, staff badges, and exactly what it includes, plus nine upgrades sold separately, the payment schedule, the cancellation policy, and how they sell. STEP 3 COMPLIANCE: THE PLATFORM WRITES THE EXHIBITOR AGREEMENT (metered, refunded on failure) from this event's own dates, venue, packages, payment schedule, cancellation policy, insurance requirement, and product restrictions, covering who may exhibit and the right to approve or remove, space assignment, payment milestones and default, cancellation and force majeure, liability, indemnification and insurance, venue and fire code, booth construction, electrical, rigging, hazardous materials and sampling, conduct and solicitation rules, IP and brand use, accessibility and evacuation, and data rights for lead retrieval and badge scans; a large show also gets the contractor, freight, dock, labor, sightline, and category-exclusivity clauses. It is a fully editable working draft and it says plainly, every time, that it is not legal advice and a lawyer in the member's state reviews it before anyone signs. STEP 4 OPERATIONS: move-in and move-out windows, floor-plan notes (zones, premium inventory, sightlines, accessibility routes, egress, and how space is assigned), and on a large show the general services contractor, with an honest note that the contractor runs the physical floor while the organizer keeps strategy, commercial policy, exhibitor experience, the venue relationship, and every final call. STEP 5 EXHIBITOR SUCCESS: the onboarding sequence in order and a dated exhibitor deadline list, because the goal is not a full floor, it is exhibitors who met the right people and renew within two weeks while the value is fresh. AND ONE MASTER RECORD PER COMPANY, in four collapsible groups: COMMERCIAL (legal name, trading name, website, category, approval status of pending, approved, waitlisted, or not a fit, package, price, deposit, invoice status, contract signed date and signer, balance due, payment terms, relationship owner, billing address, upgrades bought, and fit or restriction notes), PEOPLE (as many named contacts as the show needs, each with role, name, job title, email, and phone, from the five real roles of decision maker, billing, logistics, marketing, and on-site booth manager, plus badge count, accessibility needs, and emergency contact), ATTENDEE FACING (public name, booth number, logo, short and long description, keywords, socials, promo code, show special, in-booth activity, and an explicit lead-sharing consent tick that says consent belongs to the attendee), and OPERATIONS AND SAFETY (booth size, height, open sides, exhibit type, power load, internet, AV, utilities, storage, move-in and move-out, insurance certificate and expiry, permits, fire retardancy, hanging sign, flooring, ten special-handling categories from vehicles and batteries to drones and hazardous materials, and on a large show the freight method, carrier, arrival window, crate count, weight, return shipping, rigging, and cleaning). Every record shows exactly WHAT IS STILL NEEDED before doors open, grouped by area, and the tab totals what is contracted, collected, and outstanding across the floor and how many are approved against capacity. Sponsors marked as exhibitors appear here automatically carrying their contact detail, and a manually added exhibitor is never touched by that sync. THE SPONSORS TAB RUNS IN ORDER (Dee, live with a client, Aug 20 2026): STEP 1 is building the sponsorship PACKAGES (you cannot make an ask without knowing what you are selling, and every prospect gets assigned to a tier), and only then STEP 2, finding who to sell them to. With no packages built the finder says so plainly instead of offering a package dropdown with nothing in it. A PROSPECT HAS REAL FIELDS, not one box: name, job title, company, email, phone, and a note, each its own field, on the add form and on every row. The EMAIL is the one that matters because it is how the ask goes out, so it is flagged when missing, and any prospect with a valid email is upserted into the member's CRM contacts as a Prospect stage contact sourced to that event (best effort; a CRM hiccup never blocks the save). Older records that only have the single free-text contact box are migrated automatically: an email or phone in that text is lifted into its own field and the rest stays as the note. THE RESEARCH NAMES REAL ORGANIZATIONS, not just categories: every researched category comes back with 3 to 6 actual named organizations operating near the member's city, with the page each was found on, and a one-tap Add to my list that carries the category's homework (what they would sponsor, the typical ask, when to approach) onto the new prospect. It never claims any of them has sponsored anything or has a budget; they are real organizations that fit, for the member to call. When the search genuinely surfaces no real names it says so instead of inventing any. EVERY LONG AI RUN SHOWS ITS WORK: a live elapsed timer, a pulse, what it is doing, and a line saying the work keeps going if the member leaves the page. THE VENUE IS DECIDED BEFORE THE BUDGET (Dee, live with a client, Aug 20 2026): the tabs run Venue and Vendors BEFORE Budget, because you cannot budget a number nobody has quoted you. The Venue tab carries a real SHORTLIST: up to 12 venues she is calling, each with the venue name, who she spoke to, what they quoted, what that number does and does not include, and the dates they have open, all side by side. It also carries THE QUESTIONS TO ASK EVERY VENUE, 16 of them in four groups (the space and the date, what the price includes, running the day, the contract and the risk), each with its own answer box and dictation mic, so the answers live in the system and the choice is made on what the venues actually said. One button picks the venue, picking one un-picks the rest, and THE PICKED VENUE'S QUOTE LANDS ON THE BUDGET'S VENUE LINE automatically (one record, both rooms), so the budget is built on a real quote instead of a guess. The budget says where its venue number came from and links back; with no venue picked it says to go get the quotes first. Sponsorship against that line is the member's own and is never overwritten. A MULTI-DAY EVENT OCCUPIES EVERY ONE OF ITS DAYS ON MY CALENDARS, one all-day entry per day labeled day 1 of 3, day 2 of 3, and so on, alongside its timeline milestones. MULTI-DAY EVENTS AND THE MONEY LAW (Dee, live with a client, Aug 20 2026): an event carries a FIRST DAY and a LAST DAY, so a conference that runs 2, 3, 4, or 5 days is planned as the multi-day event it is (the plan covers every day of the run; the workback timeline always counts back from the first day; the length is capped at 30 days so a typo can never make a 400-day event). THE PLATFORM NEVER ASKS A MEMBER WHETHER THEY WANT TO PROFIT OR BREAK EVEN, and the words break even and breakeven never appear anywhere in an event, ever: every event here is built to TURN A PROFIT, costs are the floor and profit is the target, and if the numbers cannot profit the plan says so plainly and says what would have to change. The platform also never asks a member what to charge: the plan PROPOSES the ticket price for their event with the reasoning, the profit picture at that price and size, and how their sponsorship raises the floor under it. The questions that tighten a plan are asked UP FRONT in the wizard, not handed back as homework: the sponsorship revenue they are going after, and where their speaker list stands (first year building from scratch, which is the normal answer, or speakers coming back from a previous year), plus anything else about their speakers with dictation. Whatever questions the plan still raises are ANSWERABLE right on the event: the member types the answers there, they save to the event, and every later AI run builds on them. Say or type what you are planning (or pick from about 30 event types: round table, golf tournament, think tank, hot seat, conference, retreat, wedding, birthday, baby shower, repast, and more) and get a real plan: the vision in plain words, every piece grouped by category (venue, guests, program, food and drink, vendors, budget, promotion, day-of roles), and a backwards timeline counted from the event date. The first plan is the free public teaser, no account needed, and a free account can keep that one plan. The FULL experience comes with the Studio plan and up (Dee's plan matrix): creating saved events in My Events (/my-stuff/events, a full command center per event: an accordion checklist and an accordion timeline that are ONE plan viewed two ways, every checklist item carrying a by-when link to its timeline milestone with one shared done state; an editable timeline where the member retitles milestones, rewrites their sub-items, moves their dates, adds their own milestones, and removes the ones they added, with the weeks-out label recomputed from the event date; a double-column budget tracking each line's Cost and the Sponsorship dollars received against it with live Cost, Sponsorship, and Out-of-pocket totals, the goal being to get the event to $0 out of pocket; separate Venue and Vendors tabs; and a promotion tab that hands off to the Social Media Studio, Pages, and the MeetMindz community via signed SSO for creating the event's own community). THE SPONSORS SYSTEM (the Sponsors tab in each event's command center): a 'What are sponsors?' explainer linking the /blog/why-sponsors-fund-your-event article, then a 3-layer Sponsor Finder: layer 1 is the member's own network (free data entry with dictation), layer 2 is metered live research on the KINDS of organizations that tend to sponsor events like theirs (every result framed honestly as a researched prospect to verify, with what they would sponsor, typical-ask ranges, and when to approach; never invented past sponsorships), and layer 3 turns the member's own Org Design Cheat Sheet audience avatars plus typed topics into sponsor prospect angles (listing their own avatars is free; the generation meters). Plus a sponsorship package tier builder (up to 6 renameable tiers with the member's own price and editable deliverables; the AI can draft a starter top/mid/entry set from the event plan, metered), per-package sponsor communications (metered: one email, one text, or a 3-piece sequence, all editable, each prospect assignable to a package and channel), and Sponsor Reachout: one button creates a REAL draft campaign in the member's Email Marketing Suite pre-filled with the chosen message and the prospects that have emails (nothing sends without them), plus CSV and plain-text downloads of the list. An Exhibitors tab seeds itself from sponsors marked as exhibitors plus manual adds (name, booth or table, contact, notes). The Vendors tab has two searches: the vendor TYPES this event needs generated from the plan (metered) and per-type live vendor lookups with cited sources (metered); shortlist ticks and notes save to the event. Dated timeline milestones feed the member's My Calendars automatically and send coaching reminders in Dee's voice 3 days out and on the day of each milestone (bell and email, each sent once), and milestones landing in the next two weeks show in a Coming up card on the member dashboard. The full experience also includes the metered Plan it deeper, which runs live cited research: venue categories in their city, where to shop, where to print promotions, and the fully dated workback calendar. Event types with a matching pricing calculator (round table, golf tournament, hot seat, conference) show a Price it link. THE STUDIO SHAPE (Dee's Replit design): My Events opens on a studio band with the two ways in, then the member's real events as CARDS or ROWS (the choice is remembered) carrying each event's honest status (Draft with no plan yet, In planning, Active inside the last month before the date, Completed once the date has passed), its countdown, place, guest count, and checklist progress, with a three-dot menu on every card and row to open it, file it under one of the member's brands, or delete it after a confirm. Planning a new event is a two-step wizard: step 1 asks where it starts (from scratch, from one of the member's stored ideas, or seeded from an Org Design Cheat Sheet's initiatives and services, both listed free because they are the member's own data), step 2 is the details with dictation, and while the plan generates a full-panel building state takes over the page. Inside the studio the platform's My Products left menu stays put and the Event Planner Studio carries its OWN second menu beside it, both collapsing independently, exactly like the Social Media Studio.

What it is for

planning any event start to finish (and running events as a business), from golf tournaments and round tables to weddings and memorials

How to use it

At /event-planner, say or pick what you are planning and get a real plan: every piece by category, a starter budget, and a backwards timeline. The first plan is free; the full experience comes with the Studio plan and up.

What it is

Find, plan, and build a lead magnet in three steps. /lead-magnet is public: the idea search runs free before signup (type what you do, get 2-3 tailored lead magnet ideas, the rest unlock with a free account). Signed in, the delivery plan is free (the opt-in form lives on a landing page built with Pages, follow-up runs through email marketing) and generating the finished lead magnet uses credits (covered by Unleash's monthly credits). MEMBERS work in the Studio at My Products, My Lead Magnets (/my-stuff/magnets); a signed-in member who opens /lead-magnet is sent straight there, and the public page stays the outside sales door for visitors. The shelf lists every saved lead magnet as cards or rows (the choice remembered), each card wearing that magnet's own theme and accent, with a three-dot menu to open it, file it under one of the member's brands, or delete it after a confirm. Making one runs the same free-then-metered steps (find it free, plan the delivery free, build it with credits), and the finished magnet now opens in its OWN WORKSPACE at /my-stuff/magnets/<id>: a cover view and a document view, six distinct themes (Elegant Serif, Bold Modern, Warm Minimal, Editorial, Noir Luxe, Sunrise Brief) each with its own cover treatment, four font pairings, eight accent swatches, a toggle for the accent rules and marks, editable title, subtitle and cover tagline, click-to-edit section text that saves when the member clicks away, and a call to action shown as a button, a plain link, or a scannable code. Downloads are Markdown, Word, and PDF (the browser print dialog), all in the magnet's own theme. A Market it menu hands the finished asset to the studios that use it: the landing page (/pages), social (/social), the email follow-up (/email-marketing), and the Book Studio (/book). Editing a saved magnet never meters, because no AI runs; only building or rebuilding one does. Trackable, managed QR codes stay in the QR product (/qr), which is their one home. The Studio carries its OWN second menu beside the platform's My Products rail, both collapsing independently, the same double menu as the Social Media Studio. QUIZ LEAD MAGNETS (the interactive type): a quiz is NOT a document, it is an interactive asset with its own public link and its own captured leads, and it is the only lead magnet type that captures an email by itself with no landing page in front of it. Picking Quiz in the Studio drafts the questions from the member's own About answers (their avatar's real pain points and desired outcomes become the answer choices); this drafting is DETERMINISTIC with no AI, so it is free and never meters. The quiz workspace has three tabs: BUILD (the opening screen, the questions with pick-one or type-an-answer, add/remove/reorder and edit every choice, the email-capture step, and the after-they-finish screen with an optional button), SHARE (the public link plus a ready-made iframe embed, each with a copy button), and LEADS (everyone who finished, their answers, and Export CSV). A Preview shows exactly what the taker sees and saves nothing. The public quiz lives at /quiz/<id> (NOT /q/, which belongs to the QR product's short links): chromeless, no login, welcome then one question at a time with a progress bar, then the email step, then the thank you. A quiz stays a DRAFT until the member publishes it, an unpublished quiz is invisible at its link and collects nothing, and a quiz with no questions cannot be published at all. Every completed quiz lands as a real Lead in the platform pipeline (so it shows in the admin leads inbox) and upserts into the CRM as a contact at the Lead stage, exactly like a landing page opt-in: a quiz lead is never a second-class lead.

What it is for

attracting leads with a free resource

How to use it

At /lead-magnet: step one finds your lead magnet idea, step two plans the delivery free (a landing page plus email follow-up), and step three creates the finished magnet for 1,000 credits.

What it is

Design the paid offer people actually buy.

What it is for

packaging a service or product into an offer

How to use it

At /offer-builder, define exactly what you sell, for whom, at what price, and why now. A sharp offer is the fix for a store that just sits there.

What it is

Write a real book three ways. Every book starts as a project: the bookshelf's create tiles open the Create a new book project popup (working title, optional subtitle, the kind of book, an optional book template, and optionally a brand plus whose voice to write in, all changeable later; creating is a free save, no AI). Five templates seed a real chapter scaffold, each heading carrying a guiding outline note the member can rename, reorder, or delete, with bodies honestly empty at zero words: Business How-To (12 chapters), Personal Memoir (10), Children's Storybook (8), Self-Publishing Starter (14), and the Staffing Agency Playbook (12, the Staffingpreneur shape from niche to scale); picking one is plain data, free, no AI, and clicking Write on a book with nothing written yet opens the path chooser at /book/start with three doors. The templates also have their own BOOK TEMPLATES page at /book/templates (the Templates door beside Create New on the bookshelf): search, category pills (Business, Memoir, Children, Publishing), template cards with a Popular badge on the favorites, and a detail panel showing the category, real chapter count, a typical finished length, and exactly what the template includes, with a Use Template door that opens the same 3-step create popup with that template already picked. Every book page carries the BOOK STUDIO double menu at the top of the content area: the Book Studio bar (My Books, Templates) and, when a book is open, the MANAGE BOOK row (Write, Overview, Details, Covers, Files, Orders, Publishing, Settings), each tab a real door to that work. Orders (/book/orders) is the book's sales room: total orders, units, revenue, and refunds, honestly zero with a clear empty state until the book sells through Individual Audacity Publishing. An empty chapter in the Writing Studio shows the Ask Me invitation: Ask Me and Generate Outline open the Build with AI guided questions, Create Chapter Prompts opens the Outline tab, Start from Template opens the Templates page. Door one, I already have a book: upload a finished manuscript at /book/import (drag and drop or browse a Word .docx, PDF, .txt, or Markdown file up to 25MB, or paste/dictate the whole text) and it is split into chapters on its own heading structure with smart chapter-break fallbacks, saved onto that book as a Draft with an import summary (chapters, total words, how it was split); ingestion is pure parsing, not AI, so it is free. Door two, I have material: the 5-step Build From Material wizard at /book/material. Step 1 collects sources five ways (paste with a mic and live word count, upload Word/PDF/text/Markdown files that each become ONE source with free parsing, dictate live, an honest Audio tab that says file transcription is not built yet and points to pasting the transcript, and research links whose pages are fetched and saved as readable text for free, with an honest fallback when a page cannot be read), watched by a live Material health card (words, sources, Not ready yet / Ready to continue / Good to go) that gates Continue at 200 words. Step 2 organizes sources into named groups with arrow reordering and Move to menus (no fake dragging), plus a one-call AI Suggest order & grouping that also flags overlapping themes honestly (uses credits, refunded on failure). Step 3 shapes the brief (audience, promise, tone, genre, POV, estimated length, theme chips, must-include ideas, reader takeaways, mics on the free-text boxes) with a one-call Suggest from my material that fills only empty fields (uses credits, refunded on failure). Step 4 generates the full outline (front matter, introduction, parts, chapters with source-drawn notes, conclusion, back matter) in one AI call, then everything is editable: reorder, retitle, delete, free Add chapter, a Refine instruction box, and Regenerate with a confirm (outline calls use credits, refunded on failure); the right rail shows proposed chapters and an estimated word count. Step 5 is free: outline rows become chapters carrying their notes as editable blurbs plus clearly marked [Outline direction] starters, the material becomes the book's source text, the brief carries into the intake, the book moves to Writing, and the member lands in the Writing Studio at /book/write. The wizard autosaves and resumes. Door three, Starting from scratch: just an idea or topic and the engine invents the content, after a short hybrid intake (a few structured fields plus AI questions tailored to your book) so it is specific, not generic, then it generates a publish-ready book in chapters. Once a book HAS chapters, the words live in the WRITING STUDIO at /book/write: the shelf's Write button, the path chooser, the import and material handoffs, and the Open the Writing Studio door inside the Book Studio all land there. It is a three-panel writing room, all-white with brand type and phone-first responsiveness. The Manuscript rail groups Opening pages (Copyright, Dedication, Epigraph, Table of Contents, Foreword, Preface, Acknowledgments), Chapters (chapters and sections with keyboard up/down reordering, a filter box, and an Add split button), and Closing pages (About the Author, Bibliography/References, Also by the Author), each group foldable with a one-line caption and a count badge, every section row with an honest status glyph and label (Not started, Imported, Editing, In progress, Done), a Manuscript overview card with the live word, chapter, page, and read-time totals at the rail's foot, and a collapse control that tucks the whole rail into a slim strip for a wider canvas (hidden, not removed, one click brings it back); Copyright and Contents build themselves with include toggles, Acknowledgments, About the Author, and Bibliography share one home with the publishing step, and the five new sections (Dedication, Epigraph, Foreword, Preface, Also by the Author) export only when non-empty. The center editor has an inline-editable title with mic, debounced autosave with an honest All changes saved line that never downgrades a Ready to Publish or Published book, a real rich-text editor (a formatting toolbar with paragraph and Heading 1-3, bold, italic, underline, text color, bullet and numbered lists, indent/outdent, quote, and links) whose formatting saves with the words and flows into the Word and EPUB exports, a Focus button that clears both rails and the menus for a full-width writing canvas, a Spell check on/off toggle over the browser's native check, Insert scene break, Split chapter at the cursor, real client-side Find & Replace and Search book across the chapter or whole book, per-chapter AI (Rewrite, Expand, Polish, and Draft this chapter on empty chapters, written from the material and outline direction; credits, never charged on failure), and Write / Outline / Notes / Goals tabs (titles and blurbs; a per-book mic notepad; a word goal with target date, daily pace, and words-written-per-day tracking). The right panel is a live preview paginated at about 300 words a page with real Page N of M numbers, a Paperback / eBook width toggle, and preview controls for Theme, reading Font, Zoom, and Portrait / Landscape, plus a Writing Tools card (today's words, goal progress, statistics, spell-check status); on phones the panels stack behind a Sections / Write / Preview switcher. The publishing side has its own room: PRE-PUBLISHING at /book/publish (the Writing Studio's Publishing & downloads button and the Manage Book publishing door land there), opening on Dee's Publishing Page design and STOPPING where the design stops, at the distribution chooser: an honest Publish Readiness bar with a percent complete (manuscript words, cover art, author, description, ISBN, Published status, all real checks with Fix doors that lead to the right room), a How would you like to publish chooser with two paths (Publish It Yourself, with direct Word and EPUB downloads, or Publish Through Individual Audacity Publishing, ISBN, formatting, and distribution handled under the IAP imprint), and the cover preview with book details at a glance; book details edit in Manage Book, and the cover lives on the Cover Designer's own page. Choosing the IAP path opens the handoff page at /book/publish/iap: what happens next (the team reviews the book, handles ISBN and distribution to Amazon KDP, IngramSpark, Apple Books, Barnes & Noble, and Google Play Books, and the book goes live under the IAP imprint) and a Start the process door that opens the email conversation with the publishing team. Back in the classic Book Studio at /book the manuscript can still be edited like a notepad with a mic on every box plus per-chapter Regenerate, Add to, and AI polish (or one-click Polish whole book, bundle priced per box with a cap), insert a new page between any two (blank is free; AI-drafts it from the surrounding content using credits), and Illustrate this content draws art matching any page's words (uses credits, kept in a per-page gallery, shown beside the words in the preview and included in exports; great for children's books). A Publishing step sets the book details (author, publisher plus address/email/website that flow onto the copyright page, copyright year, ISBN), the trim size, front/back matter in true publishing order (auto table of contents, auto-drafted copyright page, disclaimer, introduction, acknowledgments, references, about the author, CTA page, each with a friendly Write-a-draft button that drafts it from your book using credits), a back cover (AI-drafted blurb or dictate your own, back art generated or uploaded, an ISBN barcode block in publishing exports, and the spine line auto-built from title and author), plus running heads and book-grade page numbering (roman numerals up front, arabic in the body, folios dropped on title, copyright, and chapter openers). The live page-by-page preview is docked beside the editor and clicking any page opens the whole book full screen. The COVER DESIGNER has its OWN page at /book/covers (Dee's law: a tool is never thrown at the bottom of another page; the Writing Studio's Covers button, the Publishing page's Design the cover door, and Manage Book's Open the cover designer all land there), with the book's header (cover thumb, title, status badge, Continue Writing) over three doors as tabs (Dee's design): Design it typesets a clean cover from your real title, subtitle, and author, all three editable right on the page with dictation mics, with a style preset (Minimal, Bold, or Literary, with a style preview strip beside the live preview), a background color (swatches or any custom color or hex), a title font, separate title, subtitle, and author lettering colors (swatches or any custom color), and an optional overlay image (a transparent PNG layered over the background and behind the words, baked into the saved cover), with an auto-updating live preview, a free Save cover that puts the finished PNG on the book and quietly saves the title, subtitle, and author edits onto the book too, and Download preview (pure typesetting, no AI, free); Upload your own takes a JPG or PNG and the typesetting options put your title on it; AI Generate drafts cover copy, a palette, and an art prompt you can steer, then generates real cover art (uses credits). EVERY cover ever designed, generated, uploaded, or typeset is kept in a Your covers gallery on the book, and one click makes any of them the active cover (regenerating adds, never deletes). Smart title typesetting puts the title, subtitle, and author name on textless art: the free scrim typeset with a live preview, or AI typeset (Nano Banana Pro, uses credits, refunded if it fails); free typesets re-render automatically when the title changes, and stale AI typesets get an honest re-typeset nudge. Then download as Word, EPUB (covers, illustrations, and matter included), or Markdown, with true device downloads for every cover and illustration; the Download and publish step then asks the real question: publish it yourself (Amazon KDP accepts the EPUB as is) or have Individual Audacity Publishing, Dee's publishing company, physically publish it (the Yes door starts the email conversation with the publisher, and publish readiness stays one click away). Books save to the account and stand on the My Books bookshelf at /my-stuff/books, and the bookshelf is the Book Studio's front door: a signed-in member opening /book with no book picked lands on their shelf first, the header carries a Create New button that opens the create popup, and an empty shelf greets a first-timer with Start Your First Book at the very top. The shelf is designed as real wooden shelves from the owner's mockups: rustic sawn planks the books stand on, every book a rounded hardback with its spine hinge and the cover art edge to edge (or a designed spine with the title and author until it has art), and a white status bar at the base of each book carrying the colored status chip with its icon plus a three-dot menu (manage, write, status, delete). The statuses are Not Started (a fresh project), Writing (intake underway), Draft (a manuscript exists, generated, imported, or saved), Ready to Publish, and Published; books written before the lifecycle show as Draft. Four switchable views that are remembered (Shelf, Grid, Columns list, and a Kanban with one column per status), search by title plus Status, Type, and Sort filters, a create-a-book spine that opens the create popup, Write to continue that exact book (the path chooser when nothing is written yet, the studio with everything intact once it is), and Manage to open it, change its status with the real status picker (also on every Columns row and Kanban card; Ready to Publish and Published are the member's own moves), or delete it (delete confirms first and is permanent). Members on the Studio plan and up also get a My books / Client books filter; Client books is honestly empty for now because creating a book for a client arrives with a later Book Studio flow. Every book also has a home base: the MANAGE BOOK workspace at /book/manage (the shelf's Manage menu, the Book Studio's Manage door, and the Writing Studio header all open it), a book header (cover, title, author, lifecycle chip, Continue Writing) over six real tabs. Overview shows honest stat cards (publish status, estimated pages at about 300 words a page, the real export formats, last updated), a writing-progress card driven by the book's actual word goal, Recent Activity built only from real stored timestamps (creation, last save, covers, file uploads; nothing invented), and a derived Next Recommended Step (choose a path, design the cover, complete details, or a ready line). Book Details is the full details form saved onto the book itself so both studios and every export read the same data: basic info (title, subtitle, author display name, book type, language, audience), description and positioning boxes with dictation mics (description, elevator summary, target reader, key promise), metadata (up to 3 category chips, keyword chips, a read-only page estimate, trim size, interior type), and goals/production (intended publish date, a writing-goal select that edits the same stored goal as the Writing Studio's Goals tab, production notes with a mic). Files is a real per-book file hub: drag-drop or browse uploads straight to storage with real progress (images, documents, and audio up to 100 MB each; an honest 8 MB server fallback when the direct upload is blocked), file rows with name, type, size, date, download, and delete; audio stores as-is because transcription is not built yet, and there is no Google Docs import. Cover shows the current cover and the full Your covers gallery (plus back covers) with one-click Use as cover; designing stays on the Cover Designer's own page at /book/covers, one home. Settings holds the pen name toggle (when on, every export prints the pen name as the author, copyright page included), a door to the Writing Studio's Goals tab, Duplicate book (a real server copy; uploaded files stay with the original and a copy is never Ready or Published on arrival), Download a backup (.docx), reversible Archive (hides the book behind the bookshelf's View archived toggle; never touches the lifecycle status; restore anytime from the shelf's Manage menu or Settings), and Delete permanently behind a type-the-title confirmation (removes the book, covers, and uploaded files). Publishing explains honestly that books publish through Individual Audacity Publishing (Dee's publishing company), shows a Publish Readiness checklist derived only from real data (manuscript has words, cover art exists, description written, author or pen name set) with honest unchecked states and Fix this doors, opens the Pre-Publishing room, and offers the email door to start the publishing conversation with Individual Audacity Publishing when the book is ready; there is no ISBN, channel, pricing, or orders UI because that waits on the publishing platform.

What it is for

writing and publishing a book to build authority or a lead funnel, whether you have material or only an idea

How to use it

Go to /book (Book Studio) and pick a mode: bring your own material or write from an idea. Run the short intake, generate, then edit it like a notepad, design a cover, and export to Word, EPUB, or Markdown.

What it is

AI-designed, on-brand decks for sales, onboarding, or HR.

What it is for

presenting an idea, pitch, or training

How to use it

At /presentation, generate an AI-designed, on-brand deck for sales, onboarding, or HR.

What it is

A free resume builder plus a full AI resume writer. On the public page anyone can build ONE clean classic resume from exactly what they type and download it as a PDF, free, no account (code-built, no AI call). The member engine in the Resume Studio (/resume-writer/studio) goes further, with three ways in: type the guided form, SPEAK it (browser dictation types the work history as the member talks), or upload an existing resume as PDF, Word, Markdown, or plain text. After ingesting, the engine INTERVIEWS the member with 3 to 6 pointed follow-up questions (missing numbers, achievements without outcomes, unclear titles, gaps) and folds the answers in, then writes every bullet with honest weight: strong action verbs, specific language, real outcomes. Hard honesty rule: it never invents an employer, title, date, credential, or number; when a number is unknown the interview asks instead of guessing. One generation produces the SAME resume in three designs (Classic single-column, Designed with an accent color and two-column header, and the information-first Dee Williams Signature format), each downloadable as a real PDF and a Word .docx (which opens straight into Google Docs). Every resume saves to My Resumes (/my-stuff/resumes), up to 40. A full draft uses credits (one price covers the interview and all three designs, with free downloads of them); tailoring a saved resume to a specific job posting uses credits. Members can use it for themselves and can offer resume writing as a service to their own clients.

What it is for

job seekers who need a resume that gets interviews, and members offering resume writing as a service

How to use it

Build a free classic resume with no account on /resume-writer, or go deeper in the Resume Studio at /resume-writer/studio: type, speak, or upload an existing resume, answer 3 to 6 interview questions, and get the same resume in three designs, each as PDF and Word (uses credits). Everything saves to My Resumes, and any saved resume can be tailored to a specific job posting.